Review: Martyn – Remixes 1 & 2

Label: 3024
Catalog#: 3024-006

Tracklist:

A: Hear Me – Zomby Mix

B: Seventy Four – Redshape Mix

Buy here

Label: 3024
Catalog#: 3024-007

Tracklist:

A: Is This Insanity? ft. The Spaceape – Ben Klock Remix

B: Brilliant Orange – Illum Sphere’s No. 14 Mix

Buy here

Martyn has pushed his sound and 3024 for quite some time now. After getting recognition for his own and unique sound, he also got in contact with a lot of artists in both of the dubstep and techno genres. Zomby, Redshape, Ben Klock and Illum Sphere brings the original tracks into a new level with their wide takes and original ideas.

On the first record of two, Zomby creates a track that feels a little bit as his LP from last year on Ramp, combined with Martyn’s original atmosphere. The track doesn’t really “go” anywhere, but it has a nice groove combined with Zomby’s trademark melodies and beat structures. Redshape on the other hand, who delivers a remix of ‘Seventy Four’ that resembles a lot to Planet E and it’s artists. A mysterious Noir-like atmosphere fills the track with emotion, with a slow rumbling beat and percussion that undertakes a lot of different patterns throughout. The emphasis of the track is how it all develops. A clear signature sound from Redshape accompanied with a new side of his tracks first heard on ‘The Dance Paradox’ album from late ’09. A really suitable remix with remarkable appeal.

Ben Klock takes the voice of The Spaceape from the original – that is about the only thing left from it. Fusing his voice into drum elements combined with bleeping atmospheres and a killer beat, he pushes his own sound into a direction that does not only feel as (in a good way) obvious evolution, but also not losing to much ground with his introductionary ‘One’ album on Ostgut. A subtle progression is always there, kicking around the beat with a persistant contribution to everything else surrounding the track – haunting and mesmerizing, the vocal scatters across every other element, growing a feeling of a dusty old basement combined with the core of the energy in Klock’s sound.

For the other side, Illum Sphere’s ambient and droning space finishes up a remix series that feels very true to Martyn’s aesthetics. The ‘No. 14 Mix’ is very original, grasping a sense of a floating beat structure as well as being true to the beatless arrangement – very impressive and fresh.

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