Review: Zomby – One Foot Ahead Of The Other EP

Label: Ramp Recordings
Catalog#: RAMP022

Tracklist:

A1: One Foot Ahead Of The Other

A2: Helter Skelter

B1: Pumpkinhead’s Revenge

B2: Polka Dot

C1: Godzilla

C2: Expert Tuition

D1: Bubble Bobble

D2: Mescaline Cola

D3: Firefly Finale

Buy here

Recommended!

From ‘Where Were U In ’92?’ to ‘Zomby EP’, Zomby shows his many sides of wonky and straight up Zombyism, as well as combining classical electronic genres and combining them in his own and unique way.

Being a parallell to ketamine and being a centerpoint in the discussion about wonky in general, he shows little interest about what people think – solely by remaining secretative about his identity as well as the absolute disregard to the pinpoints people put on him. One thing that Zomby always keeps up is the freedom he displays with his releases: the extremely unpredictable sound (well, to some extent; you can most surely rely on the sounds from old video games and resemblances) as well as his movements within most of electronic music.

‘One Foot Ahead Of The Other EP’ feels as the album that fits perfectly between his previous excursions. It’s never “too much”, which I could feel with ‘Zomby EP’ on Hyperdub – as well as with ‘Where Were U In ’92’ sometimes. This album feels more narrowed down, in the most positive regard – it feels more evolved and a bit more worked through, as if the idea of the music got a better practical result here.

One thing I really appreciate is that Zomby involves four by four rhythms and illusions, keeping the groove more steady brings in the pressure from four-to-the-floor beats. He manages to squeeze in his own sounds and samples(?) into the rhythms in a excellent way – as he surely always have been doing. It’s nice to feel the fast paced tempo of a 140 bpm techno track getting chopped, ket-ed up, and snorted into a very undefinable and fresh attempt on modern electronic music.

The highlights of the album are these tracks, as well as when Zomby puts things into a more futuristic sense, such as the title track and ‘Godzilla’. I could easily say that all tunes on the album are absolute killers.

You know what you get.

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